"There’s a glitter to the young: The company, the director, the writer and the actors all shimmer with it."
HELEN SHAW, TIME OUT
I’m still trying to figure out how hard is appropriate for a critic to laugh at the theatre; this night, I made myself hoarse.
— VINSON CUNNINGHAM, NEW YORKER (re: Eureka Day, 2019)
Ingeniously engineered... an ambitious concept... excellent ensemble cast...
— ELISABETH VINCENTELLI, NEW YORKER (re: Zürich)
Atkinson and Daly “play these roles out with all the complexity, contradictions, and intricate nuance inherent in the human experience. They deliver stellar performances aided by expert direction..."
Nella Vera, Culture Vulture
(re: STILL, 2024)
Directed with admirable clarity by Adrienne Campbell-Holt, “Joan” leapfrogs through time to connect the dots that define its restless, ever-questing protagonist.”
— BEN BRANTLEY, NEW YORK TIMES
(re: JOAN, 2019)
A mystical cocktail of a play…
— BEN BRANTLEY, NEW YORK TIMES
(re: CAL IN CAMO, 2016)
“a bright young Brooklyn theater company known for off-center variations on mainstream staples”
BEN BRANTLEY, NEW YORK TIMES
“Eureka Day,” is not only one of the funniest plays to open this year, it is one of the saddest.
Ben Brantley, New York Times (2019)
Adam Harrington and Marjan Neshat are marvelous as Joan’s family and friends, and Adrienne Campbell-Holt directs with her usual sensitive touch for the Colt Coeur company.
— ELISABETH VINCENTELLI, NEW YORKER
Ms. Day, a 2017 Tony nominee for Lynn Nottage’s “Sweat”, glides through the many chapters of her character’s life... with tireless grace and vitality.
— BEN BRANTLEY, NEW YORK TIMES
"Standout"
SAM THIELEMAN, VARIETY
“these guys have chops”
NEW YORK TIMES
"Keenly directed by Adrienne Campbell-Holt for the tiny but excellent Colt Coeur company."
ELISABETH VINCENTELLI, NEW YORK POST
"Feelings seldom come singly in Dry Land, Ruby Rae Spiegel's remarkable new play."
BEN BRANTLEY, NEW YORK TIMES
“wildly charming”
HELEN SHAW, TIME OUT NEW YORK
theater that pulls you close and doesn’t let go.
“Colt Coeur continues its streak of grade-A downtown productions.”
BACKSTAGE
“bringing sexy back to
off-Broadway”
SCOTT BROWN, NEW YORK MAGAZINE
“SMART, MOUTHY and SEXY! Just beneath the couple’s pheromone-spiked banter lurks a feeling discussion about representation and identity.”
— NEW YORK TIMES