We'd like to share our Code of Community & Action Items.

 COCO’S CODE OF COMMUNITY

Our Code of Community is a living document that we commit to updating, revisiting, and  consistently offering room for edits in order to remain in alignment of anti-racist practices, inclusivity, and the spirit of true collaboration. 

Dated: October 18, 2020

YOU ARE WELCOME HERE

At Colt Coeur, we welcome and embrace all human beings and safeguard and embolden our differences. 

Our company will not stand for racism, sexism, queerphobia, ableism, entitlement and any other conduct that threatens to destroy the fabric of the socially equitable industry we are creating.  

We would like to acknowledge the variety of visible and invisible access needs of our community of artistic collaborators and audience members and make a commitment to supporting those needs to the best of our abilities.

We recognize the delicacy of theatrical performance and of the social aspects affiliated with theater - but we place the health and well-being of our company and community as paramount. We nurture and prioritize personal investment in our artists, students, community and all we come in contact with. 

Action Items: ·       We are doing away with ‘10 out of 12’ rehearsals and the 6-day work week. 

·       We hire intimacy directors when needed for productions and we will encourage our company to stay home when sick. 

·       We cover transportation costs for interns and would never ask them to work more than 10 hours a week. 

·       We also support our collaborators who are working parents by offering flexible rehearsal schedules, as well as private lactation rooms.   

SOCIAL JUSTICE STANCE AND COCO
To ensure that we are a community that commits itself to the We See You White American Theater document, social equity and anti-racist practices, we heavily consider who we work with and make a promise to prioritize BIPOC collaborators and works that reflect our core values and our mission. We are grateful for the generosity of the WSYWAT creators and acknowledge the deficiency in the make-up of our programming and collaborators historically. We commit to amplifying and nurturing the work of Black, Indigenous and POC artists and recognize the tremendous value these artists add to our company and our world.

Action Items: 
·       The majority of our Colt Coeur community participated in Nicole Brewer’s Anti-Racist Theatre: A Foundational Course in September and October of 2020; additional members of our company and board will participate in this training in November. We commit to a continued engagement with anti-racism training and education.

·       We commit to reaching 50%+ BIPOC representation by 2022 across our Board, Company and production teams. 

·       We continue our longstanding commitment to 50%+ BIPOC representation within our Residency Program and Education Initiative. 

TRANSFORMATIVE ANTI-RACIST PRACTICES
We make a commitment to uphold transformative and anti-racist work as a company and expect all who collaborate with us to join us in this work. We consistently seek opportunities to grow and to learn how we participate in antiquated, problematic systems. We dedicate our time together to not only champion the arts but also to reflect and assess how we can DO better and BE better for our BIPOC artistic community.

Action Items: ·       We are currently creating flow charts to make transparent our points of access, as well as offering artists, staff and audience open and clear channels of communication with the goal of becoming a more equitable institution.

·       We are also working on updating our Handbook so our mission and goals can be laid out clearly for all to see. 

OUR IMPACT
We recognize that everything we do in this industry has an impact not only on our artistic community but on our local and global community as well. Our goal is to positively impact the land we utilize for rehearsal, productions, and education; and the communities therein.

We acknowledge that the land upon which we gather to rehearse and present our work in NYC is part of the traditional territory of the Lenni-Lenape, called “Lenapehoking.” We commit to anti-racist practices and uplift the Lenni-Lenape (and any other indigenous tribes) as the original people of this land and acknowledge the erasure of their history, the loss of their ancestors and culture at the hand of colonialism and continuing practices of racism still present in our industry and our society. 

We nurture the next generation of theater artists by offering in-depth exploration of artistic expression through our annual Education Initiative, Mentorship and Internship programs. Since 2010 the Education Initiative has served students from under-resourced NYC public schools; in 2020 we operated virtually and worked with students across the country.

Action Items: 
·       We commit to continued focus on our Education Initiative, to growing our Mentorship program for the public school students in our community, and to supporting more students in ongoing and authentic engagement. 

·       We also build community relationships and support local businesses by hosting events at neighborhood establishments and by offering exposure to our audiences via ads or offers in our programs.

·       We support continuing our relationship with the Lenni-Lenape people and territory by sharing a statement at every one of our gatherings, public or internal. 

GROWTH AND ACCOUNTABILITY
Growth and adaptation can only happen with accountability. We vow to hold ourselves accountable to the mission of our company and this code of community and openly invite any feedback from the people with whom we work. 

Along with this document, we are a work-in-progress. This code and our company must never stop growing, improving, and adapting. We are open to always learning and to becoming better. 

Action Items: 
·       We invite you to engage with us and help us with this call to accountability. Please contact us via email at coltcoeur@gmail.com.

·       We will update this document and provide dates accordingly as we do the work.

ASPIRATIONS
As part of our ongoing efforts to improve, and continually move towards equitable practices, the following items have been identified as important, but due to a myriad of reasons, we are unable to change in the immediate. 

Our hope is that this section clearly lists out our planned initiatives, and provides a way to hold ourselves accountable to seeing them through. 

·       Create a position called Community-Impact Liaison, who works towards engaging with both the current, and the Indigenous peoples of the communities we rehearse and perform in to create authentic, lasting relationships, and opportunities of collaboration and fellowship.  

·       Hold Town Halls consistently throughout the year in order to provide accessible opportunities to meet with the communities we work and give them the space to give us feedback, or other offerings that will improve the way we move through the world. 
 

We would like to acknowledge the following people and organizations that have provided incredible resources and information that have helped guide our efforts and research.

·       Nicole Brewer’s Anti-Racist Theatre Training

·       Lenni-Lenape Land Acknowledgement 

·       ART/New York

·       The Bushwick Starr

·       WP Theater 

Announcing our 2020-2021 Resident Artists!

We are thrilled to welcome three additional artists:
playwrights Bleu Beckford-BURRELL, Adrienne Dawes, and Noelle Viñas;
as well as extend the Residency of four of last year's cohort:
directors Tara Elliott, J. Mehr Kaur, and Portia Krieger, as well as playwright Emma Goidel

Now in its 4th year, the CoCo Residency provides an intimate group of playwrights & directors with the invaluable resources of community, space to work, and a stipend. Artistic Director Adrienne Campbell-Holt and Managing Director Bailey Williams meet with Residents on a quarterly basis with an emphasis on forging authentic creative collaborations and amplifying these artists' voices. We also invite luminaries from the field to join us for conversations. This past February, we had the privilege of sitting down with auteur directors Tina Satter, Tamilla Woodard and CoCo Resident alum Whitney White.


(All of last year's residents were offered the option to extend through 2021, due to the unique impact of the Covid-19 pandemic.) 

Here is a bit more information about this incredible cohort:

Bleu Beckford-Burrell is a first-generation Jamaican-American actor/playwright. Born and raised in New York City, she works for non-profit organizations where she teaches acting to teens, as well as write and direct plays. Her plays include: P.S.365 (2019 O’Neill Finalist) showcased at EST (Youngblood Workshop Series) and The National Black Theatre (Keep the Soul Alive reading series). Lyons Pride (2018 BAPF, Princess Grace Award Finalist, 2019 The Kilroy’s Honorable Mention, and Yale Drama Series Runner Up) showcased at Playwrights Realm (Ink’d Festival of New Plays) and EST (Bloodwork Reading Series). La Race (2020 Normal Ave Finalist and O’Neill, BAPF Semi-finalist) up-coming showcases at Faultline Theatre (Irons in the Fire) and Page73 (Virtual Residency). She is The Playwright Realm Fellow (2018), PWC New Voices Fellowship (2018, Finalist), P73 Fellowship (2020, Finalist), NYTW/2050 Fellowship (2019, Finalist) as well as an I73 playwright (2020), Colt Coeur resident (2021), PWC Core Writer (2020, Finalist), WP Lab (2020, Finalist), Working Farm (2019, Finalist), et cet. She received the Playwrights Horizons, Jody Falco & Jeffrey Steinman Commission for Emerging Playwrights (2020) and has been nominated for South Coast Repertory, Elizabeth George Emerging Writer Commission (2021). M.F.A. Rutgers University.  BleuBeckford.com

Adrienne Dawes is a playwright, producer, and teaching artist originally from Austin, TX. Her work has been developed with Queen City New Play Initiative, The Workshop Theater, Stages Repertory, B Street Theatre, Teatro Milagro, National Black Theatre, North Carolina Black Repertory, English Theatre Berlin, and more. Adrienne has been an Alice Judson Hayes Fellow (Ragdale Foundation), a Literary Fellow at the Tulsa Artist Fellowship (George Kaiser Family Foundation), and she was recently awarded a 2020 MAP Fund grant for her play Casta (slated to premiere at the Blanton Museum of Art in 2021). Adrienne is a member of the Dramatists Guild, ScriptWorks, and a company member of Salvage Vanguard Theater. www.adriennedawes.com 

Emma Goidel is the 2020 Playwriting Fellow at Page 73. Her plays include The Gap (Barrymore Award, Kilroys List 2019), Two Minutes To Midnight (Clubbed Thumb Emerging Writers Group, mentored by Sheila Callaghan), A Knee That Can Bend (Nominee, ATCA/Steinberg Award & Lanford Wilson Award), Local Girls (Finalist, Princess Grace Award), and We Can All Agree To Pretend This Never Happened (EST, Òran Mór, Tiny Dynamite/InterAct). Her work has been presented by Ars Nova, Clubbed Thumb, InterAct, LAByrinth, Playwrights Realm, Playwrights’ Center, NYSAF, and PlayPenn’s the Foundry. She is a co-founder of the Barrymore Award-winning producing playwrights collective Orbiter 3, and a Kilroy.

J. Mehr Kaur is a director & producer of theatre and film. She created “Kultar’s Mime,” a movement theatre piece written in verse, about the 1984 anti-Sikh program. Recently, she directed the NY premiere of “Queen” by Madhuri Shekar (APAC) and served as Producing Director for Rat Queen Theatre Co, developing devised musicals. Mehr is the assistant director to Adrienne Campbell-Holt on the new musical “Other World.” She is an MFA candidate at the USC School of Cinematic Arts, a graduate of Smith College, Colt Coeur Resident Artist, WTF Directing Corps member, MTC Directing Fellow and recipient of a Fulbright.

Noelle Viñas is a playwright, educator, and theater-artist from Springfield, Virginia and Montevideo, Uruguay. She is a resident playwright at Playwrights Foundation, a resident artist at Colt Coeur, and 2020-2021 member of The Civilians R&D Group. Her play Derecho won the 2019 John Gassner Playwriting Award, along with being part of the 2020 Bay Area Playwrights Festival. Her one-act play, La profesora, was commissioned and produced by TheatreFirst and is currently in development to become the podcast Abuelito with We Rise Production. Recent commissions include Weston Playhouse for her short play Zoom Intervention (NY Times Critic's Pick) and Shotgun Players. She is currently an MFA Playwriting Candidate at Brooklyn College under Erin Courtney, Tina Satter, and Anne Washburn.

ANNOUNCING OUR 4-SHOW FALL 2020 SEASON!

NIC ASHE, NATALIA DYER, LEAH LEWIS, JUSTIN LINVILLE, DALLAS LIU AND ODEYA RUSH
 
TO READ

SEVEN MINUTES IN HEAVEN
BY STEVEN LEVENSON
DIRECTED BY ADRIENNE CAMPBELL-HOLT

FOR ONE-NIGHT ONLY CHARITY READING ONLINE

SEPTEMBER 26th, 2020 8pm et

IN HONOR OF THE PLAY’S 10TH ANNIVERSARY

Click here for more information and tickets!

 

SENDHIL RAMAMURTHY AND KAVI LADNIER REUNITE FOR
HATEF**K
BY REHANA LEW MIRZA
DIRECTED BY ADRIENNE CAMPBELL-HOLT

OCTOBER 24th at 8pm ET

Click here for tickets!

 

ORIGINAL WORLD PREMIERE CAST REUNITES FOR

AMERICA v. 2.1
BY STACEY ROSE
DIRECTED BY LOGAN VAUGHN

NOVEMBER 21st, 2020

Click here for tickets!

 

HOLIDAY CRAPTACULAR:
A VARIETY SHOW TO CLOSE OUT 2020

CURATED BY SIDIKHA ASHRAF & ADAM HARRINGTON

DECEMBER DATE & TICKET LINK TBA SOON

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As promised, we are thrilled to share our fall season with you virtually! These happenings will occur each month and are an effort to bring you great theater, raise funds for our continued programming, and employ and compensate incredible artists who are unemployed right now. Tickets range from $5-$100, and all readings will be streamed live one-night only.

In honor of the Seven Minutes in Heaven’s 10th anniversary Adrienne Campbell-Holt and Steven Levenson are joined by an all-star cast for a one-night only livestream on Saturday, September 26th at 8pm ET. The cast features Nic Ashe (Queen Sugar), Natalia Dyer (Stranger Things), Leah Lewis (The Half of It), Justin Linville (Crashing), Dallas Liu (PEN15), and Odeya Rush (Lady Bird), with stage directions read by Sidikha Ashraf.  Tickets range from $5-$250 and are available here. Services for this reading are being donated by the celebrity cast and all proceeds will benefit Colt Coeur’s Education and Mentorship programs. Click here for more information and tickets!

In October, Sendhil Ramamurthy and Kavi Ladnier will reunite for Hatefuck, by Rehana Lew Mirza, directed by Adrienne Campbell-Holt. (The world premiere was co-produced in 2019 by WP Theater and Colt Coeur.) Proceeds from this reading will benefit the artists involved as well as Colt Coeur's Residency Program, of which Rehana is an alumni. Save the date of Saturday, October 17th at 8pm ET. Tickets available here!

Shortly after you cast your very important vote in November, we'll be sharing America V. 2.1, or the Sad Demise and Eventual Extinction of the American Negro, by Stacey Rose, directed by Logan Vaughn on November 21st at 8pm ET. The entire original cast of the world premiere will return for this live reading. Click here for tickets and additional info.

Finally, in December we'll bring you Holiday Craptacular: A Variety Show to Close Out 2020. The evening will be curated by Sidikha Ashraf and Adam Harrington, and feature stand-up comedy, musical performances, and more. The event will livestream Saturday, December 12th at 8pm ET, and be available until December 31st. Tickets are free however must be reserved online.

Although it's not the same as gathering in person, we feel very lucky to share these powerful plays with as wide an audience as possible - while also supporting artists and our ongoing efforts.

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Seven Minutes in Heaven is a hilarious and emotionally raw play that follows six high school freshman caught in the absurd, aching, terrible ecstasy of being young on a splintered night of dysfunctional party games, fumbling first kisses, ruined reputations, broken promises, and raw, raw fun. Set in 1995, the play is charged with the manic exhilaration and stultifying terror of adolescence and explores familiar territory with a unique, brash sense of theatricality. In his 2010 review Jason Zinoman commented on how “the play is so real that you almost believe it was written by one of the characters.”
This reading is presented by special arrangement with Actor’s Equity through Theater Authority, Inc.

A 2019 world premiere by Richard Rodgers-Award winning playwright Rehana Lew Mirza, Hatef**k was described by The New York Times as “Smart, mouthy and sexy! Kavi Ladnier and Sendhil Ramamurthy are dripping with charisma. Just beneath the couple’s pheromone-spiked banter lurks a feeling discussion about representation and identity.” Passions ignite when Layla, an intense literature professor, accuses Imran, a brashly iconoclastic novelist, of trading in anti-Muslim stereotypes. But as their attraction grows into something more, they discover that good sex doesn’t always make good bedfellows. Conflicting cultural identities collide in this thornily clever antidote to a “meet-cute” romance.

America v. 2.1  is a day in the life of a troupe of historical re-enactors charged with telling the tragic story of what was once was the American Negro, a woeful race once featured prominently in the American landscape, but whose time has been extinguished at own foolish hand. The troupe finds themselves at odds with the state of their own existences while being painfully oblivious to the parallels and intersections their lives draw to that of the very Negroes whose story they are bound to tell. As this oblivion fades and they are faced with their stark reality, this day in the life of actors, becomes a day of reckoning. 

 

About the Artists

Steven Levenson
is a Tony Award-winning playwright, screenwriter, and television writer and producer. His plays include If I ForgetCore Values, Seven Minutes In Heaven, and The Language of Trees. He wrote the book for the musical, Dear Evan Hansen, which won six Tony Awards, including Best Book and Best Musical. He co-created and executive produced the FX series “Fosse/Verdon”, which was nominated for seventeen Emmy Awards, including Best Limited Series and Best Writing for a Limited Series, as well as for Golden Globe, Critics’ Choice Association, and Producers Guild Awards, in addition to winning the Writers Guild Award and an AFI Award for Outstanding Series. Other honors include the OBIE Award, two Outer Critics Circle Awards, and the John Gassner Memorial Playwriting Award. He served for three seasons as a writer and producer on Showtime’s “Masters Of Sex”. He is a graduate of Brown University and a Founding Company Member of Colt Coeur. 

Rehana Lew Mirza’s plays include: Hatef**k (Colt Coeur/WP), A People’s Guide to History in the Time of Here and Now (Primary Stages Virginia B. Toulmin Foundation’s commission; AADA worshop production); Soldier X (Ma-Yi; Brooklyn College; NY-SCA/Lark Commission); Tomorrow, Inshallah (Living Room Theater, Kansas City; Storyworks/Huffpost commission); Neighborhood Watch (NNPN/InterAct commission) and Barries (Desipina, Asian American Theater Company). With her husband Mike Lew, she was awarded the 2020 Kleban for most promising librettist. They also share a Mellon Foundation National Playwright residency administered in partnership with Howlround at Ma-Yi, as well as a commission at La Jolla Playhouse for The Colonialism Project after previously being their 2018 artists-in-residence.  They’ve co-written the book, in partnership with Sam Willmott, to the musical Bhangin’ It (2019 Richard Rodgers Award, upcoming at La Jolla Playhouse and McCarter Theater). Additional honors: NYFA Fellow, Colt Coeur Company member, HBO Access Fellow, Lilly Award (Stacey Mindich “Go Write a Play”), Tofte Lake Emrging Writers Residency, EST Sloan Commission, a John Golden Award, Leopold Schepp Fellowship, Ma-Yi Writers Lab Member and Co-Director (2006-2016), Primary Stages Dorothy Strelsin Writers Group Member (2014-2017) and a TCG/New Georges Fellowship. MFA: Columbia University; BFA: NYU Tisch.

Stacey Rose hails from Elizabeth, NJ and Charlotte NC respectively. Her work has been presented at: The Fire This Time Festival, The Lark, Rattlestick Playwrights Theatre, National Black Theatre, Pillsbury House Theater, Barrington Stage Company, and Kansas City Rep. Stacey has held fellowships/residencies with The Dramatists Guild, The Playwrights' Center, Sundance Theatre Lab, The Goodman Theatre, The Civilians, and Tofte Lake Center. She had two plays featured on the 2019 Kilroys list, with a third listed as an honorable mention. Her play Legacy Land was on the 2020 Kilroys list.  Stacey is a recipient of a 2019 Virginia B. Toulmin Foundation Women's Commissioning Grant in partnership with Rattlestick Playwrights Theatre and a 2020 Alfred P. Sloan Foundation commission in partnership with Manhattan Theatre Club.  She is currently a staff writer for 9-1-1 on Fox. Stacey's work celebrates and explores Blackness, Black identity, Black history, body politics, and the dilemma of life as the “other.”

Logan Vaughn is a New York based Artist and Director of new work. In 2008 Logan was awarded the Goodman Theater's prestigious Joyce Arts Fellowship in Casting and subsequently worked as a Casting Director in the Tony Award winning theaters' casting department for five seasons. In addition to the Goodman she has cast for Oregon Shakespeare Festival, Berkeley Repertory, Cardinal Stage and Notre Dame Shakespeare Festival. Logan was Playwrights Horizons Director in Residence 2012-2013. In 2012 Logan was also named a Member of the Director's Lab, Lincoln Center. As a Director she has worked with The Public Theater, MCC Theater, Sundance, Kansas City Rep Theater, Alabama Shakespeare Festival, The Apollo Theater, Geva Theatre, Playwrights' Center, The Playwrights Realm, Mosaic Theatre, 59E59, National Black Theatre and NYU Tisch School of the Arts. Her work in film includes assisting the Academy Award winning producing team behind Precious and Monster's Ball as well as serving as head of casting for several award winning independents. Logan received a 2019 Outer Critics Circle nomination for Best Direction of a Play for the New York premiere of Loy A. Webb's The Light at MCC Theater. And most recently directed the World Premiere of Legacy Land (The Kilroys List 2020) by Stacey Rose at Kansas City Repertory Theater. Logan is an Assistant Teaching Professor of Acting at UMKC and the Associate Artistic Director of Ojai Playwrights Conference. In television she has shadowed for HBO, the FOX Network (APB) and the Paramount Network (WACO Mini-Series). Logan trained professionally as a dancer for fifteen years with various companies including Gus Giordano and Visceral Dance. She has a Bachelors of Fine Arts in Film from Columbia College Chicago and has been featured in national and international publications including Glamour, Essence, Lucky and Globetrotter Magazine.

Adrienne Campbell-Holt is the Founding Artistic Director of Colt Coeur. She is the recipient of the 2018 Lucille Lortel Visionary Director Award.  Current/Upcoming: world premiere: Other World, by Hunter Bell, Jeff Bowen & Ann McNamee, choreography by Karla Puno Garcia (Bucks County Playhouse). Adrienne is currently developing new plays with Oscar Olivo, Lily Padilla, Antoinette Nwandu, and Rick Cleveland. Recent: NY premiere of Eureka Day by Jonathan Spector (Colt Coeur), world premiere of We Are Among Us by Stephen Belber (City Theater, Pittsburgh), world premiere of Hatefuck, by Rehana Lew Mirza (WP/Colt Coeur), world premiere of Joan by Stephen Belber (Colt Coeur, starring Johanna Day), Downstairs by Theresa Rebeck at Primary Stages (November-December 2018; starring Tyne Daly and Tim Daly), Associate Director on Dear Evan Hansen, directed by Michael Greif (Broadway), world premiere of Zürich by Amelia Roper (Colt Coeur @ NYTW), world premiere of Thirst by C. A. Johnson (CATF), Afterwords, a new musical by Zoe Sarnak and Emily Kaczmarek, What We're Up Against by Theresa Rebeck (WP Theater), New York Indie Theater Film Festival screening of Henry + the trains, (January 2017), world premiere of Christopher G. Nuñez's The Surgeon and her Daughters (Cherry Lane Mentor Project), world premiere of Theresa Rebeck’s The Nest (Denver Theatre Company), world premiere of Dry Land by Ruby Rae Spiegel (Colt Coeur), world premiere of Greg Moss’ REUNION (South Coast Rep), world premiere of Eliza Clark's Recall (Colt Coeur), and world premiere of Steven Levenson's Seven Minutes in Heaven (Colt Coeur). Adrienne is a graduate of Barnard College, Columbia University and the director of #MakeItFair.

“I think you were so busy looking for a riot that you missed the gathering of the grieving. I think you were so busy looking for looters that you missed the lament and heartbreak of a community. I think you were so busy looking for trouble that you missed the tragedy of systemic racialized trauma on the bodies of black and brown people. Tonight, tomorrow, and even the next day I beg of you, look again. Look again.”

Rev. Dr. Ron Bell

EUREKA DAY RETURNS FOR ONE-NIGHT ONLY CHARITY READING MAY 22!

PRESENTED BY PLAY PER-VIEW

“Eureka Day,” is so brilliantly yoked to the current American moment—its flighty politics, its deadly folly—that it makes you want to jump out of your skin.
-
Vinson Cunningham, New Yorker

“Eureka Day,” is not only one of the funniest plays to open this year, it is one of the saddest.
 
-Ben Brantley, New York Times

On Friday May 22nd at 8:00pm, Play-PerView will reunite the original Off-Broadway company of Jonathan Spector’s Eureka Day under the direction of Adrienne Campbell-Holt, following its extended sold-out run last summer.  Featuring Tina Benko (“New Amsterdam,” Scenes from a Marriage, Top Girls), Elizabeth Carter, KK Moggie (Passage, Daphne’s Dive), Thomas Jay Ryan (Eternal Sunshine of the Spotless Mind, The Crucible), and Brian Wiles (“Manifest,” “Billions”). 

In Eureka Day, Carina has just enrolled her son at Eureka Day School in Berkeley, CA, where all decisions are made by consensus, diversity and inclusion are valued, and vaccinations are a matter of personal choice.  As a freshman member of the private school’s board of directors, she is thrown into the deep end when a mumps outbreak hits the school, forcing parents to choose between their own personal beliefs and what’s best for the community. 

This reading, presented by special arrangement with Sonia Friedman Productions and Dramatists Play Service, will benefit Colt Coeur and No Kid Hungry. The online event is ticketed with access starting at $5 and available at play-perview.com.

EUREKA DAY premiered at Aurora Theater in Berkeley, CA in April 2018, where it received all of the region’s new play awards: Glickman Award, Theatre Bay Area Award, San Francisco Bay Area Theatre Critics Circle Award, and Rella Lossy Award.

10th Annual FREE Theatre Intensive moves ONLINE!

HERE’S A TASTE OF OUR FIRST SESSION!

PLEASE JOIN US FOR OUR FINAL SHARING ON SATURDAY, MAY 23RD AT 6:30PM EST.
Click here to RSVP for the free final presentation.

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Calling all students between ages 9 and 15!

With this week's announcement that NYC public schools will not be taking the scheduled April spring break holiday - we are shifting our dates.
Since we are now holding the program online - we are opening it up to students all over the world!

Our FREE program will now be held virtually on 6 Saturdays:
April 18th
April 25th
May 2nd
May 9th
May 16th
May 23rd (presentation)!

There is no cost to participate however you must commit to being present for all 6 sessions.
Submit this application by April 10th, 2020 to join in on the fun!

WHO: Students ages 10-15 who have an interest in creating original plays are invited to participate.
WHAT: In this 6-day workshop, students will work with professional actors, playwrights, directors and designers to conceive and create original short plays that highlight their creativity, and uplift their stories.
WHEN: Camp is in session during 4-6pm EST on Saturdays April 18th - May 16th with a final performance (ONLINE) on Saturday, April 23rd 2020. The performance begins promptly at 6:30pm. More than 2 absences will result in termination from your participation in the camp.
WHERE: ONLINE.
HOW MUCH: FREE!!

If you have any questions please contact Vanessa at cocoplaymaking@gmail.com or at 718.986.8268

** We also offer alumni of our program ages 16+ the opportunity to be PAID student leaders. Email cocoplaymaking@gmail.com if you're interested in applying to be a student leader.

Please click here to learn more and apply!

Our response to these scary times...

Like you, we are hunkering down at home.

Like you, our understanding of what the next days, weeks, and months will hold, changes moment to moment.

I appreciated Alexis Soloski’s piece from yesterday’s New York Times: the reminder that theater “can ask us to think and feel beyond the confines of our own experience and find fellow-feeling, immediately and intimately, with those around us.”

I am reminded of a few lines from our mission statement:

WE STRIVE TO CREATE GREAT HAPPENINGS IN SMALL ROOMS, THEATER AS CLOSE AS A WHISPER IN YOUR EAR OR A STRANGER’S HAND BRUSHING YOURS.  INTIMACY IS OUR WAY IN.

We are thinking about what theater during this new reality looks and feels like. We know we must not gather in person. But we are thinking about how we may able to connect with you remotely.

I also wanted to share a powerful post from playwright-director Morgan Gould, that really speaks to how I’m feeling:

“I know that in the midst of everything – a quarantine, school cancellations, gatherings of only 10 people or less, I know people are reading books. Listening to music. Telling stories. Watching television. I know art matters because in the end, it will be all we have. We won’t have careers. All of that is temporary. We will just have what’s left. The actual stories. I think my role as a theater artist is to adapt to whatever mechanism I have to tell stories. If it’s not a giant festival, it can be a living room. It might not be a stage with insane production design. It might be around a campfire (as Anne Washburn predicted!). But it’s my job to bring hope and tenderness and humanity to a cruel and impossibly scary world. It’s all I can do. In the best scenario, perhaps that ER nurse comes home and puts her feet up and watches something I’ve made and her mind can rest for just a minute before she goes out again to save the world.”
- Morgan Gould

For the time being, we are postponing the world premiere production of Polylogues, created and performed by Xandra Nur Clark, directed by Molly Clifford, originally slated for a April 16-May 9, 2020 run. We are planning to share a snippet of the piece on Monday, March 23rd, (on what was to have been the first day of rehearsal). Please follow us on IG as we go live at 8pm EST, March 23rd with Xandra Nur Clark.

Additionally, we are currently exploring the possibility of shifting our 10th Annual FREE Education Initiative THEATER CAMP for NYC public school students ages 10-15 online. Please click here if you’re interested in participating; or share with a family/friend who may be interested.

Finally, please consider supporting our work during this challenging time. We are committed to continuing to pay the artists & administrators we collaborate with who have been directly and indirectly impacted by Covid-19.

THANK YOU FOR READING.

LET’S TAKE CARE OF EACH OTHER.

Best,

Adrienne & Colt Coeur

10th Anniversary Benefit Bash - tickets on sale!

THANKS TO EVERYONE WHO CAME OUT FOR OUR 10TH ANNIVERSARY BASH!

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Join us for an intimate evening honoring Founding Board member Celia Keenan-Bolger
at a spectacular NoHo loft as we celebrate our 10th season!

Monday, February 3rd 7pm
Drinks & Nosh
Live music
Raffle & Auction at 8:30pm

Mingle with CoCo Artists from the past, present & future!

Click here for more information and to purchase tickets & digital ads.

Click here to check out the incredible online auction - closes Monday, February 3rd!

Special thanks to our Benefit Committee:
Kyle Beltran & Adam Chanler-Berat, Laura Benanti, Meg Campbell, RoAnn Costin, Gavin Creel, Ato Essandoh, Gideon Glick, Michael Greif, Cherry Jones, Julia Jones, Roberta Kelly, Steven Levenson, Alex Marrs, Krystle Mobayeni, Will Pullen, Kate Cullen Roberts, Erica Rotstein, Aaron Schildkrout & AJ Strasser

2019 was epic. Let's make 2020 even more extraordinary!

In 2019 Colt Coeur produced:

2 world premieres (Joan & Hatefuck)
1 East Coast premiere (sold-out run of Eureka Day)
9th Annual free theater intensive for NYC public school students
5th Annual Parity Plays Fest celebrating female, trans & gnc playwrights & directors
4th Annual company retreat
2nd annual CoCo Residency program for 6 exciting playwrights & directors
Development of our ongoing new play commissions (2)

And we don’t even have any full-time staff!!

We make theater that pulls you close and doesn’t let go.
We need your help.

THANK YOU FOR YOUR SUPPORT.

CLICK HERE TO DONATE TODAY.

Announcing our 2019-2020 Season! Tickets to EUREKA DAY now on sale!

“’This is an important vaccine from a public health standpoint,’ [Dr. Bob] writes of the hep B vaccine, ‘but it’s not as critical from an individual point of view.’ In order for this to make sense, one must believe that individuals are not part of the public.”

--Eula Biss, On Immunity

 

Heated Vaccine Debates Take Center Stage in Colt Coeur’s

EUREKA DAY

An East Coast Premiere

BY JONATHAN SPECTOR
DIRECTED BY ADRIENNE CAMPBELL-HOLT 

August 24 – September 21 at Walkerspace
OPENING SET FOR THURSDAY, AUGUST 29TH

General admission tickets start at $20 and are available here!

 

*WINNER*
Theatre Bay Area Award
San Francisco Bay Area Theatre Critics Circle Award
Will Glickman Award
Rella Lossy Award

 

"Jonathan Spector's play is so crisply defined that you might have to periodically remind yourself that you haven't already met these characters in real life...Spector proves as much as master of pathos as of comedy.”-San Francisco Chronicle

We are thrilled to present the east coast premiere of Jonathan Spector’s screamingly funny yet profound EUREKA DAY. Spector’s lauded play uses a heated vaccination debate at a progressive elementary school as a metaphorical lens for the escalating hostility of America’s culture wars and our inability to listen to those with whom we disagree. This timely comedy is directed by Adrienne Campbell-Holt (Primary Stages’ Downstairs, Colt Coeur’s Joan). Previews begin Saturday, August 24th with official opening set for Thursday, August 29th.  

Carina has just enrolled her son at EUREKA DAY School in Berkeley, CA, where all decisions are made by consensus— diversity and inclusion are valued, and vaccinations are a personal matter. As a freshman member of the private school’s board of directors—one position is always reserved for a new parent so no one gets too calcified in their thinking—she is thrown into the deep end when a mumps outbreak hits the school, forcing parents to choose between their own personal beliefs and what might be best for the community. Opening the discussion up to online trolls during a Facebook Live meeting only moves the committee further away from answering EUREKA DAY’s—and our era’s—most pressing question: how do you find consensus when you can’t agree on the facts? 

EUREKA DAY premiered at Aurora Theater in Berkeley, CA in April 2018, where it received all of the region’s new play awards: Glickman Award, Theatre Bay Area Award, San Francisco Bay Area Theatre Critics Circle Award, and Rella Lossy Award.

The cast for EUREKA DAY is: Tina Benko (“New Amsterdam”, “The Avengers”; Scenes from a Marriage, Top Girls), Elizabeth Carter, KK Moggie (Passage, Daphne’s Dive), Thomas Jay Ryan (“Blue Bloods”, “Eternal Sunshine of the Spotless Mind”, The Crucible), and Brian Wiles (“Manifest”, “Billions”). Kate Cullen Roberts (Bloody Bloody Andrew Jackson, Breakfast at Tiffany’s) will join the cast for the final week of performances.

The scenic design for EUREKA DAY is by John McDermott; costume design is by Lux Haac; lighting design is by Grant Yeager; sound design is by Amy AltadonnaColt Coeur produces the engagement, with Ayana Parker Morrison as lead producer, Emily Caffery as line producer and Dominique Bravo as Associate Producer. Sean McGrath serves as Production Manager and Technical Director. Avery Trunko is Production Stage Manager and Katie Cecil Cairns is Assistant Stage Manager. Casting is by Anne Davison. Mehr Kaur serves as the Associate Director.

The performance schedule for EUREKA DAY is Wednesdays through Saturdays at 8pm, and Sundays and Mondays at 7pm. Opening night is Thursday, August 29th at 7pm. EUREKA DAY will run through Saturday, September 21st.

EUREKA DAY plays at Walkerspace, 46 Walker Street (2 blocks south of Canal Street, between Broadway and Church), New York, NY 10013.  Tickets start at $20 and are general admission. For more information and tickets, click here

BIOS

Jonathan Spector (playwright) is a theatre-maker based in Oakland, CA. In addition to Eureka Day, his other plays include Good. Better. Best. Bested. (Custom Made Theater, San Francisco), In From The Cold (Just Theater, Berkeley) and Siesta Key (Bay Area Playwrights Festival).  He has developed work with Roundabout Theatre Company, South Coast Rep, Berkeley Rep’s Ground Floor, Aurora Theatre, The Lark, Crowded Fire, San Francisco Playhouse, Custom Made Theatre, Mugwumpin, Playwrights Foundation, Source Theater Festival, Berkeley Rep School of Theatre, Theatre of NOTE, Something Marvelous Theatre, and Stanford’s National Center for New Plays. Upcoming: Eureka Day at Mosaic Theater (Washington, DC), InterAct Theatre (Philadelphia) and Spreckles Performing Arts Center (Sonoma).

ADRIENNE CAMPBELL-HOLT (DIRECTOR): Adrienne is the Founding Artistic Director of Colt Coeur and the recipient of the 2018 Lucille Lortel Visionary Director Award. Recent world premiere productions: We are Among Us by Stephen Belber (City Theater, Pittsburgh), Hatef**k  by Rehana Lew Mirza (WP Theater/Colt Coeur),  Joan, by Stephen Belber, starring Johanna Day (Colt Coeur), Downstairs, by Theresa Rebeck starring Tyne Daly and Tim Daly (Primary Stages), Thirst, by C. A. Johnson (Contemporary American Theater Festival), Zürich, by Amelia Roper (Colt Coeur/NYTW), What We’re Up Against by Theresa Rebeck (WP Theater), Empathitrax by Ana Nogueira (Colt Coeur), Cal in Camo (co-pro Rattlestick & Colt Coeur), Theresa Rebeck’s The Nest (Denver Theatre Company), One Child Born (Oberon at American Repertory Theater), How to Live on Earth by MJ Kaufman (Colt Coeur), Chiara Atik’s 52nd to Bowery (EST Marathon), Dry Land by Ruby Rae Spiegel (Colt Coeur), Reunion by Greg Moss (South Coast Rep), Everything is Ours by Nikole Beckwith (Colt Coeur), Recall by Eliza Clark (Colt Coeur), Fish Eye (Colt Coeur), and Seven Minutes in Heaven by Steven Levenson (Colt Coeur). Adrienne is currently developing the new musical Other World with Hunter Bell, Jeff Bowen, Ann McNamee & WETA Workshop, as well as Afterwords, with Zoe Sarnak and Emily Kaczmarek. BA Barnard College, Columbia University. She is also the director of #makeitfair.

Then, next spring - we're proud to present the world premiere of

POLYLOGUES Created, Written, & Performed by Xandra Clark Directed by Molly Clifford

April-May, 2020 at Rattlestick Playwrights Theater

Polylogues is a funny, interview-based solo show that explores real people’s experiences with nonmonogamy—and love in all its forms. Writer/performer Xandra Clark is less like an actor and more like a medium, listening on headphones to the interviews as she performs them. By providing anonymity to each interviewee, she channels voices that could never be heard if the storytellers’ identities were known. Though a solo show, Polylogues forges a living polyamorous community on the stage with a diverse set of voices—from a senior citizen who’s been poly for decades to a child worried about her open parents; from liberals in a commune to conservative evangelical swingers; and from the newly empowered to folks critical of how nonmonogamy perpetuates patriarchy and white supremacy. Polylogues examines what 21st century folks want in relationships, what we’re afraid of, and the ways in which tradition attempts to contain us.

Xandra Nur Clark is a journalist-playwright and multidisciplinary performer whose work activates self-investigation, breaks down barriers in understanding across difference, and invites a re-thinking of the “normal” and the “other.” Xandra’s work has been featured at Dixon Place, The Tank, The Flea, Weeksville Heritage Center, Five Myles, Judson Church, Queer Abstract, Caveat, and Brooklyn College, and been funded by NYSCA/Brooklyn Arts Council, Brooklyn Community Foundation, and Stanford Arts. Acting credits include at EST, Rattlestick, The Flea, The Lark/Noor Theatre, BAM, Wild Project, and The High Line. Xandra is a 2018-19 Queer|Art Fellow and a company member of The Bats at The Flea, Poetic Theater Productions, and folk choir Ukrainian Village Voices. Xandra co-leads Colt Coeur’s theater education program, received the 2013 Award for Local Reporting from the Marine Corps Heritage Foundation, and is a New York State-certified Rape Crisis Counselor for the Anti-Violence Project crisis hotline. BA Theater, MA Journalism: Stanford University.

Molly Clifford NYC Directing: RETREAT (EST/Youngblood, Two Headed Rep), Karaoke at The Golden Sun Convention Center, Miss Julie, Restaurant in D Major, TARTUFFE (Two Headed Rep), American Dreamers by Lia Romeo (West of 10th), Soldier (All For One), The Elephant in the Room (NY Fringe). Short plays and readings for EST/Youngblood, TinyRhino, 7x7, West of 10th. Assisting: Classic Stage, Playwrights Realm, The Play Company, Vineyard Theatre, EST, Cherry Lane and Yale Rep. Alumna of the National Theater Institute and Connecticut College. Co-Artistic Director of Two Headed Rep. In development: Polylogues (Dixon Place, The Tank) by Xandra Clark. www.mollyclifforddirects.com

COLT COEUR is a Brooklyn-based theater company founded in 2010. We contemplate questions that inspire us and devise theater pieces that respond to and engage with the world in which we live. We address the ambivalence, terror and exhilaration of our age on the scale of person-to-person through theater that utilizes a simplicity of means to achieve richness of expression. Our original, story-driven, visceral theater straddles the line between mainstream and experimental, elevates design while valuing strong storytelling, and pulls you close and doesn't let go.

Artistic Director Adrienne Campbell-Holt leads a 16-member ensemble of actors, playwrights and designers to nurture the next generation of theater artists through the development and production of new plays and by providing arts education to students from underserved NYC public schools. Over 9 years, Colt Coeur has produced 11 world premieres; developed 40 plays; and provided free arts education for over 120 students. All 11 of Colt Coeur’s world premieres explored themes of resonance to our times while ranging in subject matter from teen pregnancy (Dry Land), to postpartum depression and the struggle to make ends meet for a working-class family (Cal in Camo), to the underlying appetite for new frontiers that is manifest in applicants looking to travel on a one-way mission to Mars (How to Live on Earth).  Half of the productions were developed from scratch with a company of actors, designers, a playwright, and director Adrienne Campbell-Holt. Colt Coeur is currently developing new work with commissioned playwrights Antoinette Nwandu (Paula Vogel Award 2019), and, Lily Padilla (Yale Prize 2019). All of the productions received rave reviews and have gone on to publication and/or subsequent national and international productions.

************

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council

Eureka Day is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. 

HATEF**K must close March 31!

The reviews are in! 
Read on below... and click here to see photos from last night's Opening festivities!

PERFORMANCES RUN THRU 3/31!

“SMART, MOUTHY and SEXY! 
Kavi Ladnier and Sendhil Ramamurthy are DRIPPING WITH CHARISMA. Just beneath the couple’s pheromone-spiked banter lurks a feeling discussion about representation and identity." 
NEW YORK TIMES 

“COMPLEX and PROVOCATIVE.  FUN TO WATCH! 
Kavi Ladnier and Sendhil Ramamurthy trade barbs and come-ons at a breakneck pace, with director Adrienne Campbell-Holt taking a cue from classic Hollywood screwball comedy—though we never saw as much of Cary Grant’s unclothed body as we do of Ramamurthy’s well-trained physique.”
TIMEOUT

“Angry sex done right!  Passions are heightened with every clever turn-of-phrase until the two head for the bedroom to work off the steam.” “Dialogue ripples with energy sprinkled with humor and an occasional gut punch. Using her two beautifully defined creations, Mirza can go deep as well as broad, coming to conclusions that are enlightening as well as troubling.” 
THEATER PIZZAZZ

“The electric spark between Layla and Imran is fueled equally by attraction and revulsion, creating a MAGNETIC TENSION THAT DRAWS US IN.  Ladnier and Ramamurthy wield Mirza's sharp writing LIKE TWO OLYMPIC FENCERS BRANDISHING THEIR FOILS.”  
THEATERMANIA

“TAUT AND TART. A SMARTLY, and WITTILY written play - which takes unexpected turns.”  
NEWS INDIA TIMES

"Every South Asian should see this play."
DISSDASH

Colt Coeur teams up with WP Theater to present the world premiere of the 2017 Kilroys List play Hatef**k by 2019 Richard Rodgers Award-winning playwright Rehana Lew Mirza.

Passions ignite when Layla, an intense literature professor, accuses Imran, a brashly iconoclastic novelist, of trading in anti-Muslim stereotypes. But as their attraction grows into something more, they discover that good sex doesn’t always make good bedfellows. Conflicting cultural identities collide in this thornily clever antidote to a “meet-cute” romance, which reunites "Heroes" stars Kavi Ladnier and Sendhil RamamurthyAdrienne Campbell-Holt returns to WP Theater to direct this bracingly insightful new play.

Set: Anshuman Bhatia // Costume: Sarita Fellows
Lights: Barbara Samuels // Sound: Joanna Lynne Staub
Production Stage Manager: Emely Zepeda // Intimacy director: Judi Lewis Ockler

We also want to invite you behind-the-scenes of HATEF**K, to hear more about why this play is so impactful...
Click here to watch a short teaser video or here to learn more about our experience working with Intimacy Director Judi Lewis Ockler

Get your tickets today!

Want to support Colt Coeur even more - and have a chance to mingle with the cast & creative team?Join us on Wednesday, March 27th for a Special Benefit Performance & post-show Reception. 
Click here for Benefit tickets.

Join us for our 9th Annual Celebration of Play-making!

We offer our annual Education Initiative free-of-charge for NYC public school students ages 11-15.

There will be a free presentation for friends and family at 6:30pm on Monday February 25th at JACK Theater in Brooklyn.

RSVP here by Saturday, February 23rd.

Watch our video about last year's program here!

A bit of history:
Only in the theater can you create something out of literally nothing.  Colt Coeur was founded in January 2010 and is a company of actors, writers, directors and designers. In just nine years -- Colt Coeur has been lauded by The New York Times with the broad recognition “these guys have chops” and the New York Post and Time Out have called our work “pitch perfect” and “wildly charming.”   We’ve created four original plays (Seven Minutes in Heaven, Fish Eye, How to Live on Earth and The Big and the Small) in our uniquely collaborative style, and produced the world premieres of Recall by Eliza Clark, Everything is Ours, by Nikole Beckwith, Dry Land, by Ruby Rae Spiegel, Cal in Camo, by William Francis Hoffman, Empathitrax, by Ana Nogueira, and JOAN, by Stephen Belber.  We’ve also launched our free week-long Playmaking workshop, and held public readings of a bevy of exciting new plays as part of our Play Hotel series.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

The Colt Coeur Education Initiative is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. 

Announcing our 2018-2019 Season!

It’s a 2-world premiere spring, our 10th, and 11th, respectively! For the first time ever – we’re offering ‘season pass’ subscriptions – click here to find out more and purchase!

JOAN
A world premiere by Stephen Belber
Directed by Adrienne Campbell-Holt
January 19-February 16, 2019
HERE Mainstage, SoHo

Cast: Johanna Day, Adam Harrington & Marjan Neshat

JOAN is about the life of a woman named Joan.   She is restless, loving, maddening, gracious. 
She has a brother, a lover, a mother, a child. 
She lives.  She dies.

A poignant and probing play about the life of a contemporary American woman.

Click here to watch a behind-the-scenes video! 

Click here for JOAN info and tickets! 

Creative team:
scenic design: Andrew Moerdyk // costumes: Emily Rebholz
lighting: Grant Yeager // sound design: Amy Altadonna 
projections: Kate Ducey // properties: Kelvin Pater 
production management & technical direction: Emma Johnson 
Line producers: Ayana Parker Morrison & Madeleine Goldsmith  
Production Stage Manager: Carolynn Richer // Assistant Stage Manager: Katie Cairns
Casting: Anne Davison  // Assistant director: Caroline Sarkozi
Videography: Crystal Arnette/Adventure We Can  // Press: Richard Kornberg

The performance schedule for JOAN is Tuesdays through Saturdays at 8:30pm, and Sundays at 5pm. The performance runs 100 minutes.  JOAN plays at HERE, 145 Sixth Avenue, (Enter on Dominick, 1 Block South of Spring).  Tickets start at $25 and are general admission and may be purchased at www.here.org or by phoning 212.352.3101. 

 &

WP Theater & COLT COEUR,
in partnership with Abingdon Theater,

Present

HATEF*CK

A world premiere by Rehana Lew Mirza
directed by Adrienne Campbell-Holt
March 3-31, 2019
WP Theater (UWS)

Passions ignite when Layla, an intense literature professor, accuses Imran, a brashly iconoclastic novelist, of trading in anti-Muslim stereotypes. But as their attraction grows into something more, they discover that good sex doesn’t always make good bedfellows. Conflicting cultural identities collide in this thornily clever antidote to a “meet-cute” romance. Director Adrienne Campbell-Holt (What We’re Up Against) returns to WP Theater to direct this bracingly insightful new play by Rehana Lew Mirza.

PARITY PLAYS FEST

We are thrilled to announce our 5th Annual Festival  
February 1st - 9th at HERE
(come for a reading, stick around for JOAN!)

All readings are free and open to the public.

CLICK HERE FOR RESERVATIONS!

For the second year in a row, Colt Coeur will team up with WP Theater to present our 5th Annual Parity Plays Festival, a series of new play readings by female and trans playwrights and directors. Inspired by advocacy groups like #MakeItFairThe Kilroys and The Lilly Awards, Colt Coeur and WP Theater are committed to the promotion of gender parity in programming, staffing, and representation within theatrical narratives. Last season's festival, staged at WP Theater’s Upper West Side venue, included a reading of Hatef*ck by CoCo Resident Alum Rehana Lew Mirza. 

Festival Line-up:

Friday, February 1st at 4pm
LOVE
by Kate Cortesi // directed by Jenna Worsham
Five former employees. One great love. Thorny, uncomfortable, funny and surprising (and... sexy?) LOVE asks what accountability looks like when an abuser of power is one of our favorite men of all time and dares us to get to the other side of accountability and hashtags together.

Saturday, February 2nd at 4pm
Ole White Sugah Daddy
by Obehi Janice // directed by Caitlin Sullivan
A young Black female coder wrestles with love, identity and the tension between striving and thriving as she tries to get her startup off the ground. How can you fully be yourself in spaces where no one can see all the sides of you?

Friday, February 8th at 4pm
(w)holeness

by Lily Padilla // directed by Orion S. Johnstone
A diverse support group for sex and love addicts meets weekly to “heal in community.” Every Monday at group, they breathe in, breathe out, and try to love in a world that’s taught them hate – especially the kind turned inward. But is communal healing possible when each person carries different wounds, legacies and privileges?

Saturday, February 9th at 4pm
The Place Women Go
by Sylvia Khoury // directed by Maggie Burrows 
Late at night in a Texas immigration detention center, three Guatemalan mothers keep watchful eyes on their sleeping children. Tomorrow, they must face the immigration judges, who will grant or deny them asylum in America. In THE PLACE WOMEN GO, these mothers quietly rehearse the stories of their trauma to make them palatable and convincing, while encountering new, daily traumas within the detention center itself.

  #ParityPlaysFest


Commissioned Playwright 2017-2019:  

Antoinette Nwandu is a New York-based playwright, who was born and raised in Los Angeles. Her play Pass Over premiered in New York at at LCT3/Lincoln Center in June (NYTimes Critic's Pick). A filmed version of the Jeff-award winning, Steppenwolf production—directed by Spike Lee—premiered at the 2018 Sundance Film Festival and at SXSW, and is currently streaming on Amazon Prime. Victory Gardens produced the World Premiere of her play Breach: a manifesto on race in america through the eyes of a black girl recovering from self-hate in February. Antoinette’s honors include a 2018 Whiting Award, the 2017 Paula Vogel Playwriting Award, the Sam French Next Step Award (forthcoming), the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company’s Douglas Turner Ward Prize, a Literary Fellowship at the Eugene O’Neill Playwrights Conference, and spots on the 2016 and 2017 Kilroys lists. She is a MacDowell Fellow, a Dramatists Guild Fellow, and an Ars Nova Play Group alum. Her work has been supported by The Sundance Theatre Lab, Space on Ryder Farm, Ignition Fest, The Cherry Lane Mentor Project, Page73, PlayPenn, Southern Rep, The Flea, Naked Angels, Fire This Time, and The Movement Theater Company. Antoinette has a bachelor’s degree in English, magna cum laude, from Harvard College; an MS from The University of Edinburgh; and an MFA from NYU Tisch. She is under commission from Echo Theater Company, Colt Coeur, Ars Nova, and Audible, and just wrapped a writing gig on the second season of Spike Lee’s “She’s Gotta Have It” for Netflix.

We are also thrilled to announce our 3rd commission, (and 2nd partnership with the Virginia B. Toulmin Foundation), to Susan Smith Blackburn Prize- nominated playwright Lily Padilla, and our CoCo Residents program is in it’s second year – this year’s crop of playwrights and directors are: Will Arbery, Melissa Crespo, Justice Hehir, Natalie Margolin, and Whitney White. Click here to find out more about these artists.

Announcing our latest commission & our 2018-2019 CoCo Residents!

2 COMMISSIONS IN THE WORKS!
We are continuing our work with commissioned playwright Antoinette Nwandu and are thrilled to announce our 3rd commission, (and 2nd partnership with the Virginia B. Toulmin Foundation!). Congrats to playwright Lily Padilla!

Lily Padilla makes plays about sex, intersectional communities and what it means to heal in a violent world. They just received their M.F.A. from the University of California, San Diego, where they were mentored by Naomi Iizuka, Deborah Stein, Allan Havis and Kim Rubinstein. Padilla’s work has been developed with the Ojai Playwrights Conference, Victory Gardens Theater, INTAR Theatre and San Diego Repertory Theatre. Her immersive audio installation And Then You Wait, co-created with Dylan Key, reimagined an abandoned grain silo as an apocalyptic fallout shelter in the 2017 La Jolla Playhouse WOW Festival. (w)holeness was a finalist for the 2018 Latinx Theatre Commons Carnaval of New Work and will be featured in the 2019 Colt Coeur Parity Plays Festival. Padilla facilitates playwriting workshops with the La Jolla Playhouse/TCG Veterans & Theatre Institute. They hold a BFA from NYU Tisch, ETW & Playwrights Horizons. She is also a director, actor and community builder who looks at rehearsal as a laboratory for how we might be together. 

+++++++++++++++++++++

CoCo Residents 2018-2019: Playwrights & Directors

The Residents program provides an intimate group of playwrights & directors with the invaluable resources of space, community, and a small stipend. Artistic Director Adrienne Campbell-Holt and company members meet with the Residents on a quarterly basis.

BIOS

Will Arbery is a playwright from Texas + Wyoming. Plano premiered at Clubbed Thumb’s Summerworks in June 2018. Evanston Salt Costs Climbing premiered at New Neighborhood/White Heron in August 2018. Wheelchair is published by 3 Hole Press. He’s currently under commission from Playwrights Horizons. He’s a member of The Working Farm at SPACE on Ryder Farm, a member of Youngblood, and an alum of Clubbed Thumb’s Early Career Writers Group. His plays have been developed at Clubbed Thumb, Playwrights Horizons, The Vineyard, SPACE on Ryder Farm, Ojai Playwrights Conference, Cape Cod Theater Project, The New Group, EST/Youngblood, The Bushwick Starr, Alliance/Kendeda, and Tofte Lake Center. Dance work: Pioneer Works, MCA Chicago, Watermill Center. MFA: Northwestern. BA: Kenyon College. Willarbery.com


Melissa Crespo
is a NYC based director of theater, opera, and film. Recent credits include: graveyard shift (San Francisco Playhouse); In the Blue Hour (Lil’ Explosions); Brother Toad (Kansas City Repertory Theatre); The Review or How to Eat Your Opposition (WP Theatre); eat and you belong to us (NYU Tisch); ¡Figaro! (90210) (The Duke on 42nd Street & LA Opera); ABC Talent Showcase (Disney NYC); Destiny of Desire (Garden Theatre); Tar Baby (Edinburgh Fringe Festival & London Vault Festival); Fellowships/Residencies: Time Warner Fellow (WP Theatre); Usual Suspect (NYTW); The Director’s Project (Drama League); Van Lier Directing Fellow (Second Stage Theatre); Allen Lee Hughes Directing Fellow (Arena Stage). Melissa received her MFA in Directing from The New School for Drama. http://www.melissacrespo.com 
 

Justice Hehir graduated from Hunter College in May 2018 with an MFA in Playwriting, under the tutelage of Annie Baker and Branden Jacobs-Jenkins. She holds a BA in Women’s and Gender Studies and English from Rutgers University (2016). Her thesis play, fury, or the frat play (directed by Adrienne Campbell-Holt) was awarded the Rita and Burton Goldberg Playwriting Prize and is currently a semi-finalist for the DVRF Playwriting Program. Her work has been seen/heard/developed at the Tribe Theater Company, the Kenyon Playwrights Conference, and Dixon Place. Her play, Night Creatures, will receive its first production in the Tribe’s 2019 season this spring (NYC).


Natalie Margolin
is a playwright and actress. Her full length plays include The Power of Punctuation (New York Stage and Film Founders Award Finalist, James E. Michael Playwriting Award, Thomas Turgeon Memorial Award) which premiered Off Broadway in 2016, and Tutus. Her short plays include Welcome to the Neighborhood, Lemons, and Rugby. This past year Natalie produced the first annual She LA playwriting festival, a festival dedicated to developing and producing new work by women. Natalie assisted Theresa Rebeck on her play, What We're Up Against at the WP Theatre in NYC. She has also worked as a dramaturg for Lucy Alibar (Beasts of the Southern Wild) on Lucy's piece titled, Throw Me On The Burnpile And Light Me Up.


Whitney White
is a director and musician based in Brooklyn. Upcoming: What to Send Up When it Goes Down by Aleshea Harris (The Movement). Recent work: This Land Was Made by Tori Sampson (Vineyard Theatre Lab), Br’er Cotton by Tearrance Chisholm (Endstation Theatre), Rita Tambien Rita by Tony Menses (Juilliard), and Othello (Trinity Rep). She has developed work at: Ars Nova, The Roundabout, New York Theatre Workshop, Joe's Pub, Juilliard, Bushwick Starr, NYU Tisch, Playwrights Realm, Page 73, Bard College, Luna Stage, Princeton University, SUNY Purchase, The Tank, The Lark, and more. Whitney is currently in residency with Ars Nova as part of their 2018 Makers Lab, where she is developing Definition an original concert-play, and The Drama League as part of their Next Wave Residency where she is developing an original adaptation of Anton Chekhov's Three Sisters with music. She is an Associate Artist at The Roundabout and was a 2050 fellow at New York Theatre Workshop. MFA Brown University / Trinity Rep. More at: www.whitney-white.com.

(Top row: Melissa Crespo // Natalie Margolin // Whitney White
Bottom row: Justice Hehir // Will Arbery)